I'm on twitter now to help promote my books. If anyone wants to follow me then you can here: http://twitter.com/GinaHayden
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You are viewing the most recent 13 entries September 24th, 2009: Follow me? I'm on twitter now to help promote my books. If anyone wants to follow me then you can here: http://twitter.com/GinaHayden June 10th, 2009:
Like fanfics? Want to buy a book? Well I've got both! Check out my website Gina's Fiction: http://ginasfiction.webs.com/ There you can order my books Epidemic and The Whitman House Vamtares, and you can read all of my Bam Margera and The Monkees fanfiction. Coming soon on the web site: Promo videos for my books and possibly a message board where you can discuss your favorite stories of mine. Remember, the place for good fanfics and books to order is Gina's Fiction. Tell your friends! June 3rd, 2009: Gina's Fiction (My website) Just so you all know I figured out a solution for my website. You can view it here: http://ginasfiction.webs.com/ ![]() All the stories aren't on there yet but I'm working on that. They should be up some time soon. But in the meantime you can re-read some of my Monkees stories, as well as read some of my Bam Margera stories if you are interested, and you can (PLEASE) order copies of my books. (Curently $7.55) May 15th, 2009: Help please While updating my web site on GeoCities just now I learned that yahoo is closing GeoCities later this year. I need to be able to keep my web site going but I am unable to pay for it. If any one knows of any FREE web hosting places around please let me know asap. This is very important because my web site not only has my fanfics on there but it is where I display my books for sale. April 14th, 2009: Promotional videos for my books As you may know, or should know from my previous posts, I have self-published two books: "Epidemic" and "The Whitman House Vamtares". Due to the lack of sales (even to my own family, which just baffles me) I decided to make a promotional video for each book and post them on youtube. Check out these videos and then go to my website to order my books. Also spread the videos around to as many people as you possibly can. Thank you for your support. The Whitman House Vamtares promo video December 17th, 2008: Books! Books! Books! Everybody likes books! As you may know I have self published my books Epidemic and The Whitman House Vamtares. Now there's a better place you can order them from and for cheaper! These books are better than ever now! Order here Show your support by ordering your own copies today! Thank you so much, Gina October 14th, 2008: The Spookees: Episode three ACT THREE SCENE TWO ROMP SCENE: The scene starts out right after Bean’s line as the music (song TBD) begins. Various shots of The Spookees performing the song on the bandstand are mixed with reaction shots of the narrator as he sits and watches the band play. There are also various shots from the previous interviews mixed in throughout the course of the song. The scene ends with The Spookees performing the last couple lines of the song into the fade. End romp. Spin scene to show The Spookees leaving the bandstand and heading over to the couch where the narrator is still seated. BEAN So what did you think? NARRATOR Well I think with the right promotion, you girls have got a hit there. However you seem to me imitating The Monkees a lot. HELLANNE Yeah we know. That’s the whole point of our band. NARRATOR To imitate The Monkees? ZONAH Well not exactly. We are supposed to be a spooky, female version of The Monkees. GHOULIA The Spookees! ZONAH (Points at Ghoulia) What she said. HELLANNE See we do have our own sound. It just happens to be a lot like The Monkees’ sound. BEAN But the good news is we don’t have any one like Mr. Kirshner ruling it. NARRATOR How’s that working out for you girls? BEAN Well we’re still just starting out. But we’ve got no complaints. We get to do whatever songs we choose to do without fear of some idiot trying to tell us we can’t do those songs or what songs we should do, or even tell us not to play our instruments and whatnot. NARRATOR That must feel real good to know that you’re free to do your own thing. HELLANNE If we weren’t free to do our own thing we wouldn’t have had this band. ZONAH You tell ‘im short stuff! (Pats HellAnne’s back, but keeps her hand there.) HELLANNE Get off me, giant. ZONAH (Smiles and keeps her hand there any way) Oh you know you like me. (HellAnne shoves her hand off of her back) BEAN (To the narrator) This is only a little bit of what I have to deal with all the time. The rest comes from Ghoulia. GHOULIA What about me? BEAN Never mind Ghoulia. GHOULIA (Looks at the camera with a pout) I always have to never mind. SUDDEN CUT TO. ACT THREE SCENE THREE INT. RANDOM LIVING ROOM- DAY Two of the Geiko cavemen (caveman 1 and caveman 2) are shown seated on their couch. Shot of the TV to show images of the current episode right from the previous scene. Shot back of the two cavemen who appear bored and very un-amused. CAVEMAN 1 This show sucks. CAVEMAN 2 I know. But the remote has been lost for a while. So what are you gonna do? The third caveman enters the room and stands behind the couch. He watches the TV for a couple seconds before looking appalled. CAVEMAN 3 You guys are still watching this? CAVEMAN 1 We would change the channel but apparently the remote is lost. CAVEMAN 3 The remote is over there. (Points towards something across from the couch.) Shot of the remote on the floor across from the couch and in front of the TV. The two cavemen on the couch look at the remote and then sigh. CAVEMAN 2 It’s always just out of reach. CAVEMAN 1 (Looks at Caveman 3) So you have to change the channel for us. CAVEMAN 2 So get to it. Caveman 3 rolls his eyes and goes over to the TV. He changes the channel and then picks up the remote, taking it back to the couch. CAVEMAN 3 (Sits down) Hey look it’s one of those Geiko commercials. Shot of the TV to show a Geiko commercial that features the gecko. CAVEMAN 1 Now here’s something I don’t mind watching. Whole heck of a lot better than that crap we were watching before. CAVEMAN 2 Hey yeah. Thanks for changing the channel. CAVEMAN 3 Is that all I’m good for around here, or what? CAVEMAN 1 (Ignores him and watches the gecko) Now that guy should have his own show. (The other two cavemen laugh.) FADE OUT. ACT THREE SCENE FOUR INT. BEACH HOUSE: DOWNSTAIRS- EVENING Everyone is gathered in the living room section of the downstairs area of the house. They are all talking amongst themselves, not noticing the camera crew. The narrator speaks off camera. NARRATOR Well there you have it, folks. You’ve met all of these very interesting young, um, people. You even met their cat and very own closet monster. And hopefully you’ve got to know them all pretty well. Everyone else is still talking amongst themselves and not paying attention to the narrator or camera crew. NARRATOR (Clears throat. The others look towards the camera) Well now that I’ve got your attention, do you have any final thoughts about the experience we’ve had together over the past few months? The camera focuses on each of them one by one as they speak. BEAN The experience was just delightful and well-bread. ZONAH (Puts on her hat) Well it had a groovy beat that was easy to dance to. GHOULIA I’m gonna be on the TV! (Waves frantically at the camera with a big grin) WOLFGANG (Is reading the side of a cereal box) Contains vitamins A and B-10. SLITHER It definitely did not suck. (Gives two thumbs up) VAMNESSA A little bland. Could have used a little salt. MARSIA Just like mom used to make. FREDDIE (Looking at his thumb) I think I got a sliver. HEATHEN Sure beats trying to teach a monkey and a chicken to play chess. Camera focuses on HellAnne as she appears to be thinking. NARRATOR HellAnne what about you? Any final thoughts? HELLANNE I’m thinking! I’m thinking! My final thoughts? (Pauses) Well it was no worse than having my wisdom teeth pulled. HEATHEN You were completely under when you had your wisdom teeth pulled. HELLANNE I know. I was off in my happy dream land the whole time. Yes yes. BEAN Aren’t you always in your happy dream land? (HellAnne makes a shushing motion towards her) NARRATOR Ok well thank you all very much. Those were some very fine final thoughts. (Steps in front of the camera) Everyone watching tonight, I hope you have enjoyed this experience as much as I have. My time with this group of people in this lovely beach house has been a very interesting one of a kind journey and I’m glad to have shared a little bit of it with all of you. Thank you all so very much for watching, and good night. FADE OUT. TAG Note: The character names in parentheses indicate that the actors are to be determined. Also in the event of an actual show these scenes will be replaced by actual outtakes from screen tests. INT. NON-DECORATED ROOM WITH TABLE- (MOCK) SCREEN TESTS Close up of scene marker as it claps. Camera then fades in to a table in front of a white wall. Gina Erin Amy and Meagan enter and sit down on one side of the table with their scripts in hand. GINA (Looks at her script) Ok Meagan you’ve got first line. MEAGAN (Clears throat and reads the script page before her) Alright, we are now a band. GINA ERIN and AMY ( MEAGAN And we have a band name. GINA and ERIN Check. AMY Check… Sorry I was a little late. Meagan Erin and Gina all laugh. The scene marker claps and then the second take resumes. MEAGAN Alright. We are now a band. GINA ERIN and AMY Check. MEAGAN And we have a band name. GINA ERIN and AMY Check. MEAGAN (Tries not to laugh) And we have our instruments. Gina bursts into giggles. Amy looks at her, hesitating before laughing as well. (Laughs) Check! (Looks at Gina and Amy) You didn’t say it! (Keeps laughing) The scene marker is shown again. Take three resumes. MEAGAN And we have a band name. GINA ERIN and AMY Check. MEAGAN And we have our instruments. GINA ERIN and AMY Check. AMY Mate! All four begin laughing. Scene marker claps. Camera fades in to the table like before. Kat and “Wolfgang” enter and sit at the table with their open scripts. KAT Do you start or do I? (WOLFGANG) (Looks at his script) Oh! Me. KAT Well then start! (WOLFGANG) (laughs and then pauses) Nice place. What do you think? KAT I wonder how soundproof the walls are. (Giggles) (WOLFGANG) (Tries not to laugh) Why? Do you think we’ll be sleeping in here (laughs) alone tonight? (Laughs) I’m sorry. KAT (Laughs) What’s so funny any way? (WOLFGANG) I don’t know but you laughed too! Scene marker claps. Take two resumes. (WOLFGANG) Nice place. What do you think? KAT I wonder how soundproof the walls are. (WOLFGANG) Why? Do you think we’ll be sleeping in her alone tonight? KAT Oh I wasn’t even thinking of that! (WOLFGANG) (Laughs) What were you thinking about? KAT (Makes cat-like purr and then laughs) I guess we’ll find out when we actually do that show! (Keeps laughing) (Wolfgang) laughs as well. Scene marker claps. Camera fades in to the table again. Gina and (Heathen) are seated at the table attempting to be serious as they look over their scripts. (HEATHEN) What’s for breakfast? GINA I uh… decided to try something different. (HEATHEN) Yeah? What’s that? (Trying not to laugh) GINA (While laughing) Looks like barbeque! (HEATHEN) That sounds yummy! (Laughs) Scene marker claps. BLACK OUT TO CLOSING CREDITS.
: The Spookees: Episode three Continued from previous post. ACT THREE SCENE TWO ROMP SCENE: The scene starts out right after Bean’s line as the music (song TBD) begins. Various shots of The Spookees performing the song on the bandstand are mixed with reaction shots of the narrator as he sits and watches the band play. There are also various shots from the previous interviews mixed in throughout the course of the song. The scene ends with The Spookees performing the last couple lines of the song into the fade. End romp. Spin scene to show The Spookees leaving the bandstand and heading over to the couch where the narrator is still seated. BEAN So what did you think? NARRATOR Well I think with the right promotion, you girls have got a hit there. However you seem to me imitating The Monkees a lot. HELLANNE Yeah we know. That’s the whole point of our band. NARRATOR To imitate The Monkees? ZONAH Well not exactly. We are supposed to be a spooky, female version of The Monkees. GHOULIA The Spookees! ZONAH (Points at Ghoulia) What she said. HELLANNE See we do have our own sound. It just happens to be a lot like The Monkees’ sound. BEAN But the good news is we don’t have any one like Mr. Kirshner ruling it. NARRATOR How’s that working out for you girls? BEAN Well we’re still just starting out. But we’ve got no complaints. We get to do whatever songs we choose to do without fear of some idiot trying to tell us we can’t do those songs or what songs we should do, or even tell us not to play our instruments and whatnot. NARRATOR That must feel real good to know that you’re free to do your own thing. HELLANNE If we weren’t free to do our own thing we wouldn’t have had this band. ZONAH You tell ‘im short stuff! (Pats HellAnne’s back, but keeps her hand there.) HELLANNE Get off me, giant. ZONAH (Smiles and keeps her hand there any way) Oh you know you like me. (HellAnne shoves her hand off of her back) BEAN (To the narrator) This is only a little bit of what I have to deal with all the time. The rest comes from Ghoulia. GHOULIA What about me? BEAN Never mind Ghoulia. GHOULIA (Looks at the camera with a pout) I always have to never mind. SUDDEN CUT TO. ACT THREE SCENE THREE INT. RANDOM LIVING ROOM- DAY Two of the Geiko cavemen (caveman 1 and caveman 2) are shown seated on their couch. Shot of the TV to show images of the current episode right from the previous scene. Shot back of the two cavemen who appear bored and very un-amused. CAVEMAN 1 This show sucks. CAVEMAN 2 I know. But the remote has been lost for a while. So what are you gonna do? The third caveman enters the room and stands behind the couch. He watches the TV for a couple seconds before looking appalled. CAVEMAN 3 You guys are still watching this? CAVEMAN 1 We would change the channel but apparently the remote is lost. CAVEMAN 3 The remote is over there. (Points towards something across from the couch.) Shot of the remote on the floor across from the couch and in front of the TV. The two cavemen on the couch look at the remote and then sigh. CAVEMAN 2 It’s always just out of reach. CAVEMAN 1 (Looks at Caveman 3) So you have to change the channel for us. CAVEMAN 2 So get to it. Caveman 3 rolls his eyes and goes over to the TV. He changes the channel and then picks up the remote, taking it back to the couch. CAVEMAN 3 (Sits down) Hey look it’s one of those Geiko commercials. Shot of the TV to show a Geiko commercial that features the gecko. CAVEMAN 1 Now here’s something I don’t mind watching. Whole heck of a lot better than that crap we were watching before. CAVEMAN 2 Hey yeah. Thanks for changing the channel. CAVEMAN 3 Is that all I’m good for around here, or what? CAVEMAN 1 (Ignores him and watches the gecko) Now that guy should have his own show. (The other two cavemen laugh.) FADE OUT. : The Spookees: Episode three Continued from previous post. ACT TWO SCENE FOUR INT. BEACH HOUSE: DOWNSTAIRS- EARLY EVENING The scene fades in to show HellAnne sitting on the couch with Moose on her lap. HellAnne is casually petting Moose while reading a book. The narrator is off camera as he speaks. NARRATOR I know we’ve met HellAnne before but we haven’t met Moose. Moose is the cat on HellAnne’s lap right there. (HellAnne takes her eyes off of the book and looks up at the camera a little surprised) Moose belongs to the Hellfire’s. The interesting thing about her is… well… she keeps changing. Moose has never been the same cat or animal for that matter since I started studying this group of people a few months ago. (Appears on screen and walks over to the couch. Stands near HellAnne) HellAnne do you care to explain Moose’s… situation? HELLANNE With the changing thing you mean. NARRATOR Yes that’s right. HELLANNE Well you see she started out as a perfectly normal house cat. But Freddie over there, (quick shot of Freddie walking in the door. Freddie pauses in his spot when HellAnne says his name. He gives a “who me?” look and points to himself. The camera goes back on to HellAnne.)one day decided to play with some chemicals. And he was mixing up some of those chemicals for a small experiment. But then clumsy stupid him “accidentally” spilled some of the chemicals onto poor innocent Moose who “happened to be right there”. So because of that she now is constantly changing. But we still love her any way. (Pets Moose lovingly) MOOSE Prrrrrr FREDDIE (Walks over to the couch) Now you know that was an accident! Why must you always bring it up? HELLANNE Hey don’t blame me! (Motions to the narrator) He’s the one who asked me about it! FREDDIE (To the narrator) Why did you have to go and ask her about Moose for? Why couldn’t you have just ignored the fact that she changes all the time like everyone else does? NARRATOR Well… Hey look over there! (Points towards Heathen whom has just come down the stairs. Walks over to Heathen.) Heathen! (Pats Heathen on the back) Long time no see! HEATHEN Um… what’s going on? NARRATOR (Mock whisper) I needed a distraction and you’re it. HEATHEN Well uh alright I guess. NARRATOR So Heathen. You guys also live with a monster, am I correct? HEATHEN Yeah Wilbur. He lives in the closet over there. (Motions towards the closet) NARRATOR Do you mind showing him to me? HEATHEN Not at all. Come with me. Heathen walks away from the narrator in the direction towards the closet. Heathen then opens the closet door to reveal Wilbur hanging inside. HEATHEN This is Wilbur T. Monster. He doesn’t do much. Usually just hangs around. NARRATOR So I see. He’s not a real monster at all. HEATHEN (Gasps and covers the spots on Wilbur’s head where ears would be) Don’t say that around him! He’s very sensitive about being just a puppet. (Uncovers Wilbur’s “ears”) NARRATOR Oh I’m so sorry. I didn’t know that. (Looks at the camera) Well there you have it, folks. You’ve seen Moose and Wilbur here. Hopefully that bought us some time before the next scene. (Looks at Wilbur and pets him on the head) Nice monster. FADE OUT. ACT THREE SCENE ONE INT. BEACH HOUSE: BANDSTAND AREA- EVENING Shot of the bandstand as the narrator speaks off camera. NARRATOR This is the famous or infamous bandstand that The Monkees (A picture of The Monkees flash by right as they are mentioned) once played on when they lived in this very house. But now it is used by The Spookees. It just so happens that the band is getting ready to practice right now. Why don’t we make ourselves flies on the wall during this very practice session? The Spookees enter the room from different areas and go over to the bandstand. They each take to their respected instruments and get ready to play. They start the first song but stop right away as HellAnne drops a drumstick. HellAnne bends down to pick up the drumstick. When she sits back up she jumps with a small shriek. The camera moves over to show the narrator a camera man, a sound guy and a boom operator standing across from the bandstand, watching the girls with anticipation. Switch back to the girls on the bandstand to show that they look un-amused. HELLANNE Dude! What the hell? BEAN What are you guys doing over there? NARRATOR We were just going to watch you girls play. ZONAH Well that’s fine. But don’t watch us like we’re some sort of zoo exhibit. GHOULIA Oh! Are we going to the zoo? (Zonah pats her on the head) NARRATOR Sorry girls. We’ll just go to where you won’t notice us. The narrator and his crew walk away. The girls go back to playing. They start the song again but Bean fumbles with her guitar as she looks over across the room. Bean then gets the other girls to stop playing. BEAN Ok this isn’t going to work. HELLANNE (Towards the narrator) Yeah man. We can still see you! ZONAH Do you guys have to stare like that? It’s really creepy. Ghoulia stares at the narrator and his crew. GHOULIA (Stops staring) See how creepy that is? (Stares again) Just like that. Creepy. ZONAH Don’t do that. GHOULIA (Stops staring) Sorry. BEAN (To the narrator) Ok so how about this? You and your camera crew people go on shoo where we can’t see you, so we can practice? NARRATOR Alright fine. I can wait until you girls are done playing. And then I’ll come back to interview you. HELLANNE That would be great. Buh-bye now. (Waves at him) The narrator walks away and his camera crew follows him. The girls begin to play their song but pause part way through. GHOULIA I miss him. (Sighs and pouts) HELLANNE As creepy as he was, I have to admit that it was nice to have an audience for once. ZONAH Yeah… Was it really so bad to have him around? BEAN You girls are right. (Looks in the direction the narrator went in) Hey um… you can come back if you want! We don’t mind! Really! NARRATOR (Walks over to them.) You sure about this? I really don’t mind giving you girls your privacy. ZONAH No we decided that you were cool after all. Just as long as you don’t stare. HELLANNE Yeah don’t do anything too creepy and we’ll let you stay and listen to us. NARRATOR Oh! Ok I can do that. I’ll just sit over here and listen to you girls. You will hardly notice me. (Walks over to the couch and sits down.) BEAN Ok Spookees. Let’s play. CUT TO.
: The Spookees: Episode three Continued from previous post.
EXT. BEACH HOUSE: BALCONY- AFTERNOON The narrator is shown standing by the railing not looking at the camera. He is muttering to himself and fidgeting. He looks up at the camera. NARRATOR Oh! We’re back. Up until now we have met some pretty interesting, um, individuals, all of whom live in this very house. And now you are about to meet one more. (Pauses and looks around) That is if I can find her. Ghoulia are you here? Sound: Ghoulia giggling. The narrator takes a step forward towards the direction of the sound. NARRATOR Ok where are you? Sound: Ghoulia giggling. The narrator takes another step and then stops abruptly as though he ran into something. GHOULIA OW! (Comes into view and becomes solid) NARRATOR Well now we know where you are. (Looks at the camera) Alrighty folks. This is none other than Ghoulia Spirit. She is… GHOULIA (Cuts him off) I am a ghost! NARRATOR Right. She can do anything and everything any ghost can do. For instance she can… GHOULIA (Cuts him off again) BOO! NARRATOR Hmm… GHOULIA Did I scare you? NARRATOR Not quite. As I was saying, she can fly. (Ghoulia is transparent now as she hovers above him. She looks down and waves at him) She can disappear and then reappear anywhere she wants. (Ghoulia blinks out and blinks back in really close to him by his side) Don’t do that. (Steps away from her) GHOULIA Sorry. NARRATOR One more thing about her is she can walk through walls and other solid objects. Is that right? GHOULIA (Walking over to the glass doors without looking where she’s going) Yes it is! (Smashes into the glass doors and falls down) Ouch. My bad. NARRATOR I thought you can walk through solid objects. GHOULIA I can. But only when I’m not in my solid state. NARRATOR Ooh… right. (Looks at the camera) Ok well I have two more people to introduce to all of you so I will go to one of them now. SPIN SCENE. ACT TWO SCENE TWO INT. BEACH HOUSE: UPSTAIRS- AFTERNOON The camera moves up the staircase all the way to the upstairs bedroom. The narrator speaks off camera as the camera moves up the stairs. NARRATOR I want to take caution as I approach the next person. The reasoning for this is because I don’t know if she is in her human form or her animal one. (Is now on camera reaching the top of the stairs) Also I’m not quite sure where she is at the moment. The narrator stands near the door to the upstairs bedroom and looks around. NARRATOR Vamnessa are you around here? A bat flies above the narrator’s head and circles him for a second before landing on the floor near his feet. NARRATOR Oh! This must be her now. Vamnessa do you mind turning into something, or someone rather, that I can talk to? Vamnessa turns into herself and stands by the narrator. Vamnessa is holding a wooden stake in her hand. VAMNESSA May I help you with something? NARRATOR I would like to interview you. Can you tell the people what your full name is? VAMNESSA I am Vamnessa Transley. NARRATOR (Looks at the camera) And she is a vampire. Well actually she has informed me that she isn’t a full-fledged vampire despite the fact that she is a pure-breed. (Looks at Vamnessa) Would you care to explain? VAMNESSA You see vampires, in order to receive the official title, have to go through special classes and such and then take a big written exam when we feel we’re ready to be a full-fledged vampire And as of right now I am still studying. NARRATOR I had no idea your people had to go through that. But of course it really wasn’t a known fact. Another thing that I’ve learned from you is you are in line to be Dracula’s heiress. What do you have to do in order to achieve this? VAMNESSA I don’t have to do anything. He just has to pick me before he steps down. NARRATOR And what would happen if he chose you? VAMNESSA I will become the new ruler of the vampire race. NARRATOR (Looks at the stake in her hand) What’s that for? VAMNESSA It’s for nothing. I just like to carry it around with me. I also go out in the sun, I refuse to drink blood, and I cast a reflection whenever I want. NARRATOR Why are you such a risk taker? VAMNESSA I wouldn’t say risk taker. I’d say I’m more of a rebel. NARRATOR Indeed. Well it’s been nice talking to you, Vamnessa. VAMNESSA Thank you. I enjoyed this interview. Now if you’ll excuse me… (Turns into a bat and flies away) NARRATOR (Looks at the camera) Well alrighty. Shall we move onto the next person now? CUT TO. ACT TWO SCENE THREE The narrator enters the living room section of the downstairs area of the house. He looks at the camera after briefly looking around the area. NARRATOR Ok well… I’ll move onto the next interview as soon as my next interviewee shows up. Until then I’ll just wait. (Stands with hands folded in front of him and whistles) Sound: electronic hum as Marsia shimmers into view next to the narrator. She jumps a little with a short shout when she sees that the narrator’s right next to her. Marsia then moves away a couple steps. MARSIA Oh hi! Sorry. Didn’t think you were going to be so close. NARRATOR Quite alright. (Looks at the camera) This lovely young lady is Marsia Moonbeam. (Marsia smiles and waves at the camera) She is, as you’ve guessed it, from Mars. Unfortunately as I’ve studied her among every one else here, I have not been able to learn very much about her. MARSIA Oh really? Why’s that? NARRATOR (To Marsia) You don’t always give me straight answers when I ask you a question about yourself. MARSIA Oh well that sucks. NARRATOR Yes. So Marsia do you mind telling everyone about yourself? MARSIA Everyone, who? NARRATOR (Points to the camera) Everyone watching the show at home. MARSIA Oh! Right. I knew that. No I don’t mind. The narrator looks at Marsia for a few seconds, expecting her to speak. Marsia looks at him after a few seconds. MARSIA What? You want me to do that now? NARRATOR That would be nice. Yes. MARSIA (Looks at the camera) I am a Martian. From Mars. NARRATOR We’ve gathered that much already. Is there anything else you would like to say about yourself? MARSIA Well… I came to earth a few years ago and moved to (Looks at the camera) Oh I probably shouldn’t have said that. But on Mars I was actually in prison for… Oh crap I shouldn’t have said that either! (Turns to the narrator) (Paranoid) Don’t let them take me back to my home planet! I like it here! I have friends here! And I’ve never done anything wrong! Not on Mars or on Earth! NARRATOR Um… yeah… Just calm down. I’m sure no one caught any of that. (Looks at the camera and makes a quick cut motion) SUDDEN BLACK OUT.
To be continued... : The Spookees: Episode three Continued from last post. FREDDIE (Holds up George and hugs him) That’s our bedtime, George and NARRATOR Em… Right. The camera pulls back to show Freddie playing with George in the sand from a distance. Zonah comes up as the narrator speaks and she takes George away from Freddie. NARRATOR That teddy bear that Freddie has referred to as George is Freddie’s closest companion. (Zonah tosses George into the water and Freddie dives in after him) Unfortunately for Zonah, Freddie never goes anywhere without him. (As Freddie starts giving George CPR, the camera moves onto the narrator) Now I suppose is a good time to move onto someone else.
CUT TO. ACT ONE SCENE THREE EXT. BEACH HOUSE: GARAGE- Slither and Wolfgang pull up in their car and park. Slither gets out of the car first.
NARRATOR Now look who we got here. This is Slither Meduse. (Slither waves at the camera) This immortal snake-woman is apparently a distant relative to Medusa. Or at least one of the snakes in Medusa’s hair. But don’t worry; she won’t cause you to turn to stone when you look at her. Slither and Wolfgang start walking towards the entrance to the house. The narrator walks up along side them. NARRATOR Slither, might I have a word with you? SLITHER Just one? NARRATOR Right. SLITHER Well your word’s up now. I’ll see you later. (Is about to walk up the stairs) NARRATOR (Stops her) No wait. I would just like to see you turn into a snake if you don’t mind. SLITHER Mmm… No I don’t think so. I don’t do that for just anyone. (Heads up the stairs) The camera turns over to Wolfgang.
(Off camera) Oh yes… I almost forgot. This is Wolfgang Harrison. I’m not sure but I assume that he is Slither’s boyfriend. (Wolfgang looks up at the camera as though he didn’t notice it there before. He shyly waves) Wolfgang, as far as I or anyone else knows, is a werewolf. But I have yet to see any real proof. WOLFGANG Why do you need proof? I AM a werewolf! NARRATOR Any way. He is a werewolf with relative ties to the original wolfman. (Goes over to Wolfgang) Wolfgang do you mind turning into a wolf for us? WOLFGANG Well I would, but there isn’t a full moon. NARRATOR Oh of course. How silly of me. Hey I’ve got an idea. Tell me, what would happen if I produced a silver bullet right now? WOLFGANG Well like any werewolf, it would destroy me. NARRATOR Even if I just held it in my hand? WOLFGANG Well no. Um you’d have to shoot me with it. NARRATOR I don’t think I would want to do that. But hey look. (Pulls out an album by Bob Seger and the Silver Bullet band) Silver bullet! (Teases Wolfgang with it) WOLFGANG Um… yeah… I’m going to go inside now. Bye! Wolfgang runs inside and the narrator is left standing there looking at the camera.
NARRATOR (Holds up the album) Bob Seger anyone?
SPIN SCENE.
INT. BEACH HOUSE: DOWNSTAIRS BATHROOM- Bean is shown in front of the mirror. Bean is putting on makeup and doesn’t notice the camera right away. When she finally notices it she jumps with a scream. NARRATOR Oh excuse me. Terribly sorry about that. Well anyway this is Bean Sidhe. Yes you heard me right. Her name actually is Bean. (She continues putting her makeup on as the narrator speaks) She isn’t from BEAN (Steps away from the mirror) But I’m not scary! I can’t even wail right. NARRATOR Yes. Even though she is a banshee, Bean is probably the least intimidating one that ever existed. (Bean grins) And just like she said, she is incapable of wailing like the other banshees. BEAN (Demonstrates this by only producing a very small sound) See? NARRATOR Of course. Bean pretty much is not your average banshee. She doesn’t even come close to average. (Stands by her) Can you tell me what exactly makes you a banshee? BEAN Well there is the fact that I can change my image. NARRATOR Do you think you could demonstrate this?
I think I could. (Changes into the more ghostly, old woman banshee image) Don’t be scared! It’s just me! (Looks into the mirror and shrieks. Changes back to how she was before) That’s why I don’t do that very much. NARRATOR Oh of course. Thanks for sharing that with us. Well now I suppose I could move on to someone else. (Pause) Oh wait a second. I will move onto someone else after this commercial break.
FADE OUT. To be continued... : The Spookees: Episode three The Spookees Season: one Episode: three “Getting to know you” Written by: Gina Hayden Staring as The Spookees: Erin Hayden---------------------------------- Gina Hayden---------------------------------- Amy Hopper---------------------------------- Meagan Turner---------------------------------- Co-Staring: TBD------------------------------------- Kat Curnutte-------------------------------- TBD------------------------------------- Heather Hoffman-------------------------------- Marsia Moonbeam Matt Turner---------------------------------- December Harjo--------------------------------- Vamnessa Transley Featuring: Wilbur T. Monster------------------------------ Itself TBD------------------------------------- Special guests and cameos (order of appearance) Peter Tork------------------------------------ TBD------------------------------------- TBD------------------------------------- TBD-------------------------------------
EXT/INT. BEACH HOUSE/RANDOM LIVING ROOM SET- DAY View of the beach house from the outside, beachfront side. A narrator’s voice is heard off camera. NARRATOR This beach house located at 1334 Beachwood dr. was once the swinging bachelor pad to the local rock group The Monkees. (A picture of The Monkees flashes by right as they are mentioned) For over forty years after the group moved out no one had lived here. That changed just a few months ago when another group of young people all in their early to mid 20s moved in. Fade switch to: views throughout the inside of the house as the narrator speaks. NARRATOR Now this particular group is not your typical group of young people according to what locals have said. They are, well, the best way that they can be described is as an entirely different race that no one really knew existed amongst the rest of us. Cut to: the Geiko cavemen sitting in their living room watching the show on television. CAVEMAN 1 Hey. I wonder who he’s talking about. CAVEMAN 2 (Laughs) Yeah me too. CAVEMAN 3 Think any cavewomen live in that house? CAVEMAN 1 and CAVEMAN 2 (Laugh) CAVEMAN 1 I doubt it. Cut back to: the beach house. NARRATOR Over the past few months these people living here have agreed to allow me and my camera crew to document their daily lives. (Steps in front of the camera) And I’ll tell you right now the journey I went on while studying them in this house was a very interesting one indeed. And it’s one you are about to see. FADE OUT TO OPENING CREDITS. ACT ONE SCENE ONE INT. BEACH HOUSE: KITCHEN AREA- MORNING Shot of the stairs. NARRATOR The first one of the group you will see is a girl that goes by the name of HellAnne Hellfire. HellAnne walks out of the upstairs bedroom and slides down the railing. She stops as she heads for the kitchen and then looks at the camera with a wave. NARRATOR HellAnne may have a very frightening, garish, and somewhat drag queen appearance on the outside. (HellAnne reacts with a mouthed “Hey!” and then pauses before nodding in agreement) But don’t let her exterior fool you. She is the sweetest, most caring young woman you will ever come across. (HellAnne smiles with a mouthed “aw!”) And she has a great sense of humor which you will see displayed throughout this documentary. HellAnne walks into the kitchen and starts to make breakfast for herself. NARRATOR Now you can clearly see by looking at her that she has a very, I should say, devilish appearance about her. The truth of the matter is I very quickly learned that she is in fact, now believe it or not, half demon and half angel. And she has explained to me that in mortal human years she is only about twenty four or twenty five years old. However, her real age is somewhere between 400 and 500 years. She has not yet disclosed her actual age. This is a secret, she jokes, that she will take to her grave. The narrator goes over to where HellAnne is. HellAnne pauses eating and looks at him. NARRATOR Now HellAnne, I have to wonder, why is it you come down the stairs in that way by sliding down the banister? Well it’s faster and more fun. I’ve seen you disappear and reappear in a puff of smoke. Wouldn’t that have been even faster? HELLANNE Well yeah but we just got a new smoke detector. I didn’t want to chance it going off and waking everyone up. NARRATOR So I see. Now tell me. What do you have for breakfast? HELLANNE Cereal. NARRATOR Yes I see that. But is it any special kind? (Nudges her with his elbow) Brimstone Flakes? How about some Fire Krispies? HELLANNE You disgust me. NARRATOR Right… Now is it true that you can conjure up fire from your very body? HELLANNE Yes it is. I’m about to conjure up a small fire on your toupee if you don’t get out of my face. NARRATOR (Backs away) I thought you were supposed to be sweet and caring. HELLANNE That was before you tried to make fun of my cereal. (Takes a big bite) HEATHEN (Off screen) HellAnne! Shot of Heathen at the top of the stairs. Heathen starts to come down as the narrator speaks again. NARRATOR Ah yes this is Heathen Hellfire, HellAnne’s husband. (Heathen glances at the camera before going over to HellAnne) He, unlike his wife, is a full-fledged demon who chooses to remain in human form at all times. From what I’ve learned about him, he claims to be closely related to Satin himself. But he is nothing like his relative; being but a humble earth-bound soul with no intent to cause fear and harm to those around him. And just like HellAnne he is capable of transporting himself in a puff of smoke and he can too conjure up fire from his body. He also has the power to possess human bodies but he has told me that he doesn’t like doing so because he feels it invades the privacy of others. HEATHEN You got that right. NARRATOR (Goes over to Heathen) Now Heathen, would you say you are the white sheep of your family? HEATHEN As opposed to the black sheep? Why not? SPIN SCENE. ACT ONE SCENE TWO EXT. BEACH- MID-MORNING Zonah and Freddie are shown goofing around on the beach near the water. NARRATOR (Off camera) Take a gander at these two. They are Zonah Spellweaver and her boyfriend Freddie Stein. (The camera zooms in on Zonah) What I’ve learned from Zonah is that she is a very young witch. That is, an actual witch, not one of your run of the mill fake Halloween style witches. However, because of her inexperience she is often very clumsy with her spells. Miss Spellweaver, formerly named Zonah Turner, was once under the parental control by two extremely strict and overbearing people she refers to as the priest and nun. The narrator walks over to Zonah. NARRATOR Tell me, Zonah, are your parents actually a priest and nun as you say? ZONAH I have no parents. But no, not really. They are just so strictly by-the-book that they might as well be a priest and a nun. It’s very scary. NARRATOR Are the Turners your natural parents? ZONAH To tell the truth, I really hope that I was adopted. NARRATOR (Off screen once again as the camera focuses on Freddie) This young lad is Freddie Stein. Come to find out, he actually is the only mortal human living amongst this group. (Freddie begins to play in the sand with his teddy bear George) He is a scientist who is a distant relative of Dr. Victor Frankenstein. (Stands next to Freddie) Freddie, tell me what it’s like being related to such a famous man such as Dr. Frankenstein.
It’s great. A real inspiration as you can see. I plan on following in the doctor’s footsteps and build my own creature. Then I will train my creature to do minimal tasks for me. And then one day, with help from my creature, I will take over the world! (Laughs menacingly and then stops abruptly) But it must be done before NARRATOR Why To be continued... September 11th, 2008: Epidemic I have published my first book, Epidemic, on lulu.com You can order a copy of it here: http://www.lulu.com/content/3922559 Description of the story: A mad obsession with a book that drives one to kill. Bloody handprints left behind at the murder scenes. One girl’s mysterious visions of the murders as they take place. And the vengeful return of those who have wrongfully died. As the readers first penetrate this story they realize that, although scary at times, high school was never quite this frightening. The story opens with Trent and Kevin as they venture into the abandoned Lake Fenton High School building just two years after the murders have taken place. While seeking information about the murders they bring the girl, who possesses mysterious visions, back to the school. Shortly after their return, two of them discover that the murderer has been with them the entire time. Later on in the second half of the story; Remedy, the ghosts of the murdered students trap the three of them in the building in order to seek their revenge upon the one who has killed them. The three can not leave until the darkness is lifted from the school building. This has been a shameless plug. I've made some chang http://www.lulu.com/content/4415593 |